The Picts were a tribal confederation of peoples who lived in what is today eastern and northern Scotland during the Late Iron Age and Early Medieval periods. They are thought to have been ethnolinguistically Celtic. Where they lived and what their culture was like can be inferred from the geographical distribution of brochs, Brittonic place name elements, and Pictish stones.

Picts are attested to in written records from before the Roman conquest of Britain to the 10th century, when they are thought to have merged with the Gaels. They lived to the north of the rivers Forth and Clyde, and spoke the now-extinct Pictish language, which is thought to have been closely related to the Celtic Brittonic language spoken by the Britons who lived to the south of them.

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Picts are assumed to have been the descendants of the Caledonii and other tribes that were mentioned by Roman historians or on the world map of Ptolemy. Pictland, also called Pictavia by some sources, gradually merged with the Gaelic kingdom of Dál Riata to form the Kingdom of Alba (Scotland). Alba then expanded, absorbing the Brittonic kingdom of Strathclyde and Bernician Lothian, and by the 11th century the Pictish identity had been subsumed into the “Scots” amalgamation of peoples.

Pictish society was typical of many Iron Age societies in northern Europe, having “wide connections and parallels” with neighbouring groups. Archaeology gives some impression of the society of the Picts. While very little in the way of Pictish writing has survived, Pictish history since the late 6th century is known from a variety of sources, including Bede’s Historia ecclesiastica gentis Anglorum, saints’ lives such as that of Columba by Adomnán, and various Irish annals.

Pictish art appears on stones, metalwork and small objects of stone and bone. It uses a distinctive form of the general Celtic Early Medieval development of La Tène style with increasing influences from the Insular art of 7th and 8th century Ireland and Northumbria, and then Anglo-Saxon and Irish art as the Early Medieval period continues. The most conspicuous survivals are the many Pictish stones that are located all over Pictland, from Inverness to Lanarkshire.

An illustrated catalogue of these stones was produced by J. Romilly Allen as part of The Early Church Monuments of Scotland, with lists of their symbols and patterns. The symbols and patterns consist of animals including the Pictish Beast, the “rectangle”, the “mirror and comb”, “double-disk and Z-rod” and the “crescent and V-rod,” among many others. There are also bosses and lenses with pelta and spiral designs. The patterns are curvilinear with hatchings. The so-called cross-slabs are carved with Pictish symbols, Insular-derived interlace and Christian imagery, though interpretation is often difficult due to wear and obscurity. Several of the Christian images carved on various stones, such as David the harpist, Daniel and the lion, or scenes of St Paul and St Anthony meeting in the desert, have been influenced by the Insular manuscript tradition.

Pictish metalwork is found throughout Pictland (modern-day Scotland) and also further south; the Picts appeared to have a considerable amount of silver available, probably from raiding further south, or the payment of subsidies to keep them from doing so. The very large hoard of late Roman hacksilver found at Traprain Law may have originated in either way. The largest hoard of early Pictish metalwork was found in 1819 at Norrie’s Law in Fife, but unfortunately much was dispersed and melted down (Scottish law on treasure finds has always been unhelpful to preservation).

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Two famous 7th century silver and enamel plaques from the hoard, one shown above, have a “Z-rod”, one of the Pictish symbols, in a particularly well-preserved and elegant form; unfortunately few comparable pieces have survived.[65] Over ten heavy silver chains, some over 0.5m long, have been found from this period; the double-linked Whitecleuch Chain is one of only two that have a penannular ring, with symbol decoration including enamel, which shows how these were probably used as “choker” necklaces.[66]

In the 8th and 9th centuries, after Christianization, the Pictish elite adopted a particular form of the Celtic brooch from Ireland, preferring true penannular brooches with lobed terminals. Some older Irish pseudo-penannular brooches were adapted to the Pictish style, for example the Breadalbane Brooch (British Museum).

The St Ninian’s Isle Treasure contains the best collection of Pictish forms. Other characteristics of Pictish metalwork are dotted backgrounds or designs and animal forms influenced by Insular art. The 8th century Monymusk Reliquary has elements of Pictish and Irish style.

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